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winter peaches
August 2019
Eruika Sumi ink and vermillion seal paste on Japanese Misuzu paper, 340mmx340mm, displayed on a hanging scroll
Written in the Gyosho style, the flow and speed of each stroke are emphasized by the swift movements of the brush. These eight characters were specifically selected to illustrate the flow of each stroke within and between each character.
Eruika Sumi ink and vermillion seal paste on Japanese Misuzu paper, 340mmx340mm, displayed on a hanging scroll
Written in the Gyosho style, the flow and speed of each stroke are emphasized by the swift movements of the brush. These eight characters were specifically selected to illustrate the flow of each stroke within and between each character.
knowledge
September 2019
Eruika Sumi ink on Japanese Misuzu paper, 340mmx340mm, displayed on a hanging scroll
Written in the Gyosho style, this piece illustrates complex characters which require the harmony of each of the components within a character. Here, the “gyōninben” and “shinnyō” components are used multiple times.
Eruika Sumi ink on Japanese Misuzu paper, 340mmx340mm, displayed on a hanging scroll
Written in the Gyosho style, this piece illustrates complex characters which require the harmony of each of the components within a character. Here, the “gyōninben” and “shinnyō” components are used multiple times.
TATSU
July 2019
Eruika Sumi ink and vermillion seal paste on Japanese Misuzu paper, 340mmx340mm, displayed on a hanging scroll
Written in the Gyosho style, this piece focuses on characters which have upward and downward strokes. The flow from one character to another is emphasized by the final and initial strokes between two characters.
Eruika Sumi ink and vermillion seal paste on Japanese Misuzu paper, 340mmx340mm, displayed on a hanging scroll
Written in the Gyosho style, this piece focuses on characters which have upward and downward strokes. The flow from one character to another is emphasized by the final and initial strokes between two characters.
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